Happiness Now? exhibition at Guest Projects

Happiness Now? (10-27 March 2013)

PV Saturday 9 March 2013, 18:00 – 21:30 at Guest Projects (Sunbury House, 1 Andrews Row, E8 4QL, London)
An exhibition with artists Laura Cooper, Oliver Cronk, Petra Kubisova, Anna Lopez, Amanda Millis and Linda Stupart.
Curated by Giulia Casalini and Diana Georgiou.

The programme also includes musicians and sound artists Nik Rawlings, Carrie Topley and Nena Zinovieff; a Talkaoke session with Mikey Weinkove and special guest Dr. Nina Power; a screening night with videos from Anetta Mona Chisa & Lucia Tkacova, Johannes Evers, Oriana Fox, Nikolaj Bendix Skyum Larsen, Niklas Laustiola and Nadja Verena Marcin.

For a full list of events and details of the exhibition please click here for the press release.

Website: http://happinessnow.yolasite.com

Facebook event

Happiness Now? Flyer @ Guest Projects

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CUNTemporary Events

Bodies of Silence #3

BODIES OF SILENCE #3

WHEN WORDS ARE MADE FLESH

Organised by CUNTemporary

THURSDAY 14 FEB 2013

@ PLATFORM café bar & terrace, 1-7 Westgate Street,
London,
E8 3RL

19:00 – 23:00  (£5)

Curator: Giulia Casalini |  Organisation: Diana Georgiou

Curatorial Assistant: Laura Di Nicolantonio

Facebook event > hereFor Press Release click here

BODIES OF SILENCE is a special project curated in support of ONE BILLION RISING London Art Festival, which includes international artists Regina José Galindo (Guatemala), Sukran Moral (Turkey) and Pilar Albarracín (Spain). Some of the emerging artists selected have been the result of an open call for work that stresses the ethical and political implications of silence as a by-product of traumatic crime. We have selected artwork that is explicit in its political activism as much as we are interested in portraying more open-ended representations of bodies that communicate silence, trauma, politics and ethics.

For our third and last event, WHEN WORDS ARE MADE FLESH, we have selected work that exposes the traumatic nature of violence through embodiment and performance. We will be looking at work that opens up into a safe space where trauma can be communicated, contained, subverted and processed through re-enactment.

VIDEO:  Pilar Albarracín

PERFORMANCE: Beatrice Bonafini & Cecilia Granara

SCREENING: Regina José Galindo | Şükran Moral | Cecily Brennan | Stella Rosa McDonald | Claudia Squitieri | Elisabetta Di Sopra | Monika K Adler | Linda Stupart | Hanae Utamura

+ Q&A with Sukran Moral

Electrotrash mix by Mademoiselle O Rousse

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One Billion Rising is an international art festival, a celebration, a party that takes place worldwide on the 14th of February 2013.

www.obrartfest.co.uk | info@obrartfest.co.uk

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CUNTemporary Events

State and Statuses Symposium at RCABodies of Silence #2

BODIES OF SILENCE #2

Organised by CUNTemporary as part of the symposiumState and Statuses in art and cultural productionat the Royal College of Art.

TUESDAY 12 FEB 2013

@ RCA, Seminar room (Sculpture department), Sackler Building, 15-25 Howie Street, Battersea, London, SW11 4AS.

16:00 – 20:00

Facebook event > here <

BODIES OF SILENCE is a special project curated in support of ONE BILLION RISING London Art Festival, which includes international artists Regina Jose Galindo (Guatemala), Sukran Moral (Turkey) and Pillar Albarracín (Spain). Some of the emerging artists selected have been the result of an open call for work that stresses the ethical and political implications of silence as a by-product of traumatic crime. We have selected artwork that is explicit in its political activism as much as we were interested in portraying more open-ended representations of bodies that communicate silence, trauma, politics and ethics.

For this second event, CUNTemporary co-directors and curators Giulia Casalini and Diana Georgiou will open up a discussion on violence, social justice and art activism with a presentation of video work by artists Sukran Moral (Zina, 2007) and Regina José Galindo (Marabunta, 2011). Artist Sukran Moral will be present for the final panel discussion.

SYMPOSIUM ABSTRACT: State and Statuses in art and cultural production

Taking its cue from Catharine MacKinnon’s essay introducing the book Are women human? And other international dialogues (MacKinnon, 2006) this symposium seeks to address the treatment and discussions of women within the UK. ‘The public is formally supreme over the private, the private a space inside which power is left alone by public authorities. Women have historically been relegated to and identified with the private, excluded from and, when present, subordinated in public’ (ibid. 4).

While recognizing that gender identification is not sex specific this events hopes to explore the psychological aspects of subjugation, the public versus the private through the perspective of psychoanalysis, and the social reverberations within communities, looking at how artists explore and experience these domains, where status and entitlement are key. The question is, with men battling other men for control of states and the women encompassed within them, does this male dominance over public space pertain to the space of the gallery? When artists operate within this sphere of the public, questions of entitlement arise. In this context is women’s work seen as marginal, and not fit for public consumption? Is female art and language only integrated into our culture, while male art and language is assimilated into our culture? If the female is still relegated to the private, does this deny women and men their female voice? At this symposium we will have a range of speakers who have access to what is often left unheard.

With an introduction by artist, Rose Gibbs speakers will offer insights into the realities of domestic violence and domestic servitude as witnessed by professionals who work with the victims, as well as artists and curators who explore this area. The speakers will include: Susie Orbach (psychoanalyst), Hermione Wiltshire (artist and head of photography at the RCA), Ratna Lachman (Director of Just – promoting racial justice, civil liberties and human rights), Catherine Long (artist and PhD candidate at Chelsea College of Art and Design), Emily-Anna Gibbs (immigration and employment lawyer, co-founder of ATLU – An Anti Trafficking and Labour Exploitation Unit) and CUNTemporary, together with special guest Sukran Moral.

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One Billion Rising is an international art festival, a celebration, a party that takes place worldwide on 14th of February 2013.

www.obrartfest.co.uk | info@obrartfest.co.uk

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CUNTemporary Events

BODIES OF SILENCE #1

ORDINARY RUPTURES

Organised by CUNTemporary – hosted by Granny Ludski’s At home with the Ludskis: Midnight Mass (Edition #7)

SATURDAY 12 DEC 2013

@ RIO Cinema, 107 Kingsland High Street, London E8 2PB

23:30 – 02:30  (£6)

Curator: Giulia Casalini |  Organisation: Diana Georgiou

Curatorial Assistant: Laura Di Nicolantonio

Facebook event > here < For Press Release click here

BODIES OF SILENCE is a special project curated in support of ONE BILLION RISING London Art Festival, which will include international artists Regina Jose Gallindo, Şükran Moral and Pillar Albarracín. Some of the emerging artists selected have been the result of an open call for work that stresses the ethical and political implications of silence as a by-product of traumatic crime. We have selected artwork that is explicit in its political activism as much as we are interested in portraying more open-ended representations of bodies that communicate silence, trauma, politics and ethics.

For our first event, ORDINARY RUPTURES, we have selected work by artists that illuminate the inherent struggles of everyday life and the invisible tensions of ordinary relationships.

PERFORMANCE:

Alice Tatge

INSTALLATIONS:

Victoria Trinder | Urszula Kluz-Knopek

SCREENING:

Iacopo Zanon | Ingrid Berthon-Moine

and MUSIC SELECTION curated by Dana Jade - founder of Clit Rock (music events to raise awareness and funds for the prevention of Female Genital Mutilation)

 

One Billion Rising is an international art festival, a celebration, a party that will take place worldwide on 14th of February 2013. The OBR London Art Festival starts tonight with ongoing events around town until April 2013.

www.obrartfest.co.uk | info@obrartfest.co.uk

‘At Home with the Ludskis’ breaks away from exhibition tradition to explore an art gallery/cinema hybrid that aims to be equally thought-provoking, visually stimulating and emotionally involving. The pedestrian and mundane is pushed aside so as to passionately embrace the Post-Contemporary. Supported by: Rio Cinema| Happy Ending Productions |  house of o’dwyer |  The Centre of Attention and is part of the London Short Film Festival.

http://grannyludski.wordpress.com | theludskis@gmail.com

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January 2013

THE DIVERSITY MACHINE

Written by DIANA GEORGIOU
 

Bodies fled in discomfort – from the discomfort of some noisy city or quaint little town that treated their bodies as uncomfortable units taking up unnecessary space. I imagine the agony of inhabiting a geography that drives you to the perimeters of its center without your consent. A geography that forces you to live out your truths and your pleasures underground, never on its surface, and only ever sinfully and shamefully on your own body. A geography that either smothers you or slowly pushes you further and further away until you are obliged to leave. It was exasperating yet exhilarating to take that obligation. And so, five years ago, I packed my little underground existence and brought it here.

London. The bodies here are esoterically always rushing after something. The geography of the United Kingdom is named so for it is the Kingdom of the greatest internal divisions united in one location. Nothing and nobody agrees with each other. The trains don’t like their tracks, people don’t like the trains and the tracks beg to be repaired incessantly by people they don’t like. The buildings quarrel over their shoulders touching and the tenants quarrel with the 28-year old fitted carpets inundated with the debris of love affairs, disputes and squabbling bugs. The bridges heave under the burden of the furious trains that carry annoyed passengers to and from their joys and sorrows. A gigantic clock at Westminster Bridge serves as a memorial for the billions of minutes that have died in the Battle of Boredom and Elbow-space on public transport.  Whilst all this disagreement and scurrying is taking place the clouds are in a constant duel to obliterate the sun.

The United Kingdom is named so for it is also the Kingdom of the greatest differences amongst bodies.  ‘Diversity’ is the word for a geography that allows all types of bodies to inhabit it without the obligation to leave. ‘Tolerance’ is the word for the right to stay – as you are – although you are actually obliged to leave. ‘Equality’ is a curious word – it is the assumption that all bodies have the same rights, but in truth, it is just another word for tolerance. Its peculiar how this wonderful ‘diversity’ allows all these bodies to move freely in this geography. For even though the streets of London are in complete disorder and disagreement, there is some bizarre system when it comes to the bodies that walk these streets. They go about their urgencies without a word whilst a sadness curls the edges of their lips. The atmosphere is thick with the murmur of the billion “excuse mes” of accidental bodily collisions. This rhythm is of outmost importance in maintaining the diversity machine.:

Once a year this machine comes to an halt. On the 31st of December, every year, the bodies forget and forgive themselves. The diversity engine is temporarily suspended and the trains, passengers, houses and bugs stop their bickering. Suddenly, frowns are replaced by smiles, bodily collisions release a merry “happy new year!” and rules, manners and etiquette are at rest with the machine. The injustices of this geography are dormant for an entire day. We forget that in Croydon the streets are highly populated with bodies that trade sex for money as much as they are populated by bodies that take sex without the trade.[i] We forget that 7% of us live in one of the 240,000 households of overcrowded accommodation.[ii] We reassure ourselves that there are almost 2 million bodies living in poverty in London so we surely aren’t doing that bad. We don’t compare ourselves to the 610,000 children who are lacking basic everyday items because on this day we can all – the poor included – travel for free.

It’s a magical day this 31st of December. The hope and promise in every word exchanged. Tomorrow will be the beginning of all things good. And we pat ourselves on the back for the amazing progress we have made. Isn’t it great that 1/3 of the bodies in the United Kingdom that identify as women now have access to management positions? Ironically, that is almost the same amount of women that will be sexually assaulted or beaten in their lifetime.[iii] But we shouldn’t despair. Education is emancipation it has been said. And for as little as £9,000 a year 70% of graduates with an arts-related degree will be women.[iv] This is great news as it might balance out the 83% of artists in the Tate Modern that are men[v] and the 80% of professors in higher education that are also men. It might be a little more difficult if they are from an ethnic minority as only 7.3% have made it to the level of professor. The great thing about London is that these bodies will be amongst 63% other people that were born outside the United Kingdom so they will have plenty of stories to share.[vi]

These are just some of the strange disagreements in this geography that most bodies have arrived at to search for the equality grail. Five years later I find myself in the east end of this geography amongst a truly incongruous muddle of bodies and buildings. I feel at home amongst the mix of poor, creative and frustrated Londoners that remind me of an Orwellian Parisian slum: “a gathering place of eccentric people – people who have fallen into solitary, half-mad grooves of life and given up trying to be normal or decent. Poverty frees them from ordinary standards of behaviour, just as money frees people from work.”[vii] It took me a while to figure out why most of us fled and what most of us were after.

From the Headquarters of CUNTemporary, we stand in solidarity with the hundreds of institutions in search of the equality grail by promoting visual art from queer and feminist bodies.

Creative Commons License
Texts and articles by www.cuntemporary.org is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

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On an airplane, scribbling away….

Passenger X: Are you a writer?
Y: …
X: You’ve been writing for a while now and I thought you must be a writer.
Y: Y-yes
[I did it! I said it! I felt it stinging in my veins...]
X: What do you write about?
Y: Emm… [Love! Say love!!!]
X: Is that a novel you’re writing?
Y: No… I don’t write novels… [Bullshit! Say it! Say that you write autobiographically about love. Say it!]
X: Oh, what do you write? [He seemed disappointed]
Y: Emm… [LOVE! LOVE! LOVE!] Theory. Cultural theory. [*~%$•what the f^~%]
X: Oh! Like for the Guardian? They have a good culture section.
Y: Emm… No. Art actually. Just art. Not culture. I mean they co-exist, right? But not culture. Don’t care about culture. Ha-ha. I mean I do. It’s different. Art is different from culture. I write about artwork. Artists. You know…? Hmmm..
X: What kind of art? Like the classics?
Y: The classics? [diamond-studded skulls, vaginal scrolls, self-fisting?] Classics like art from the Hellenistic period or the Roman Empire?
X: Well, you know, classical things. Not like what they are doing now.
Y: I live in the now Sir! And yes I write about contemporary art practices and artists. I write about the ethical, political and psychological aspects of artwork and the ramifications of art practices on society at large and to specific audiences. If I was living amidst the Ancient Greeks I would be writing about buggery and marble sculptures. In Rome I would be looking at phallic swords and armour as symbols of the not-yet-penetrated subject.
X: Hmm… Art now is very difficult. I’m sorry. Poor dear, that must be very hard for you.

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CUNTemporary Events

QUEERING TRADITIONS: an evening of performances, screening and discussion

Organised by CUNTemporary | curated by Giulia Casalini

MONDAY 10 DEC 2012, from 18:30 until midnight

@ The George Tavern, 373 Commercial Road, E1 0LA, London, U.K.

Facebook event > here <  For Press Release click here

 ‘Queering Traditions’ will present a selection of artists’ videos and performances that attempt to re-configure the perception of vernacular traditions and nationalism according to new registers and idioms. The works have been selected in relation to their present engagement towards the rituals, traditions and nationalisms the artists belong to or have related to. These explorations will re-appropriate, deviate and criticise the written, oral, personal or political traditions and ideologies. A discussion will follow and a performance from sound artist Nik Rawlings and Russian artist Tatiana Baskakova will precede the screening. The programme is part of a series of events, pop-up shows, performances, talks and screenings that are organised by CUNTemporary.

Performances by:

NIK RAWLINGS

TATIANA BASKAKOVA

Screening + discussion:

Videos by

NICOLA RUBEN MONTINI

OLIVER CRONK + VANESSA HODGKINSON

MARCO BERARDI

SERGIO RACANATI

TEREZA BUSKOVA

with Dj Holly Would

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